Fair points, though I don’t think that people gravitating towards “less gimmicky” presentation styles as they get older means they will come to TWiT. I don’t assume that’s the case, not without some examples. There are people over the past 15 years of TWiT who have crossed the threshold of youth into middle age, and yet the vast majority of people here - just anecdotally speaking - at least in part joined because of the G4/Tech TV and radio legacy, and a few discovered TWiT during the early days of podcasting when there was a lot less competition.
I also think discoverability now is a huge problem. How do you think these current teenagers and twentysomethings will discover TWiT in the future? Is there a massive number of people finding the podcast right now via podcast apps or social media? Maybe they are, but if so I don’t know that will continue.
I competely agree that TWiT has a loyal audience and has carved out a niche, but it’s largely tied to Leo. If he ever decides to hang up his hat (let’s assume it’s that and not the other thing) I don’t think there will be much of a long-term future for the network. TWiT is great, and the shows are excellent, but charm isn’t going to grow it and keep it alive forever.
I think they want to make the network be able to run without Leo (even just for his vacations, nevermind retirement), and I think that a broader strategy to modernize bits of TWiT isn’t a bad thing, and can help make it more resilient. The hosts filling in for Leo do an admirable job, but considering the number of failed shows (many without Leo) I don’t think it’s a guarantee the network could hold up indefinitely, particularly if sponsors decide it’s not worth it without him: he is The Tech Guy, after all.
I think it would be wise to at least take a look at what LTT/Floatplane is doing, it’s not just about appealing to ‘da kidz’. Not necessarily their subscription model on Floatplane, but rather that they are running both their own platform (Floatplane) that plays host to other content creator a well as serves as a safety net, as well as using Youtube and Twitch natively. Keep in mind that at no point was I suggesting all of TWiT’s shows change, and I think most (particularly TTG) should be left untouched. New shows, however, could be launched on a smaller budget and still have video (even possibly 4K video) if they were done this way, and less beholden to the old TWiT style.
Going by STT’s testing of Twitch for communicating with audience, it seems like the network is willing to explore the new platforms, but it’s likely to have limited success if it’s just dipping a toe into the waters rather than fully utilizing them and tailoring content for those avenues.